
It bugs me when people try to analyze jazz
as an intellectual theorem.
It’s not.
It’s feeling.ジャズを知性的な法則で分析しようとする試みにはうんざりさせられる。
そうではないんだ。
感覚なんだ。Bill Evans
This is another artist featured in Haruki Murakami’s book, The Norwegian Wood. Actually, quite a number of good tracks came from this book. Here’s an excerpt from the book;
We cleared the table and sat on the floor, listening to music and drinking the rest of the wine. She (Naoko) drank 2 glasses in the time it took me to finish one. Naoko was unusually talkative that night. She told me about her childhood, her school, her family. Each episode was a long one, executed with painstaking detail of a miniature. I was amazed at the power of her memory, but as i sat listening it began to dawn on me that there was something wrong with the way she was telling these stories: something strange, warped even. Each tale had its own internal logic, but the link from one to the next was odd. Before you knew it, story A had turned to story B, which had been contained in A, and then came C from something in B, with no end in sight. I found things to say in response at first, but after a while I stopped trying. I put on a record, and when it ended I lifted the needle and put on another. After the last record I went back to the first. She only had six. The cycle started with Sgt. Pepper’s Lonely Hearts Club Band and ended with Bill Evans’ Waltz for Debby. Rain fell past the window. Time moved slowly. Naoko went on talking by herself.”
Murakami, H. Norwegian Wood. Vintage. 48-49
Bill Evans is one of my favorite jazz pianist. Those who are familiar with the genre will definitely know Bill. I can’t really describe jazz, who plays better and who is the greatest of them all. I mean there are so many, and all talented, old school to contemporary. Who’s to say that Kenny G is not better than John Coltrane? Just that old school will always be cool, so there…no one out there is ever gonna be better than Miles Davis or John Coltrane. I’m a casual listener, I don’t really have a ear for perfections or imperfections in a jazz track, what sounds nice works for me. With Bill, it was this song ‘Someday My Prince Will Come’ from the Portrait of Jazz album that had me. I guess for me, how you pick a favorite is through something that captures you, probably that right moment, probably thinking of something that you thought that song you heard relates so clearly… Well, I wasn’t thinking of a prince to come to my rescue. It was just quite a charming song that caught my attention, then went on to look at the title….i thought “how charming”. I went on to get more albums from Bill, You Must Believe in Spring, At the Montreux Jazz Festival, Waltz for Debby and the highly acclaimed The Complete Village Vanguard Recordings. All of which i have enjoyed tremendously. Do you know that he was part of Miles Davis sixtet in one of the best selling jazz albums of all time -Kind of Blue? Well, after a few good albums, I decided that he was one of my favourite, his style of playing hunchback, takes his time with the piano rarely rushing a tune, and basically he is just super cool. He died several years ago due to drug overdose, a problem which he had all throughout his music career.
I have a track from the ‘Waltz for Debby’ album, a fan favourite, and one of mine as well….
download : My Foolish Heart – Bill Evans MP3
and another from the Stan Getz and Bill Evans album,
download : But Beautiful – Stan Getz & Bill Evans MP3
Watch him play My Foolish Heart and be mesmerized,


